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INFORMATION basics information

Date From Tuesday, July 2, 2019 to Sunday, October 6
※Admission until 30 minutes before closing
Closed days On Monday
Place National Museum of Modern Art, Tokyo (3-1, Kitanomarukouen, Chiyoda-ku, Tokyo)
Access JR Tozai Line "Takebashi Station" 1b exit, a 3-minute walk
Viewing charges General 1,500 yen (1,300 yen), university student 1,100 yen (900 yen), high school student 600 yen (400 yen)
※() is advance sale and more than 20 groups rate. All include consumption tax.
※Sale period of advance ticket is from Tuesday, April 23, 2019 to Monday, July 1
※ They are lower than junior high student, and one and person of attendance (for one person) having disability certificate are free. In the case of admission, please show thing, disability certificate to understand of age such as student identification cards each.
Sponsorship National Museum of Modern Art, Tokyo, NHK, NHK promotion
Plan cooperation Studio Ghibli
Cooperation (public interest incorporated foundation) Commemorative animation culture foundation between virtue
The support TOPPAN PRINTING, Seibu landscape gardening
Reference TEL: 03-5777-8600 (hello dial)

Isao Takahata exhibition
We left for animation of Japan


    Supervisor who does not describe painting
    Did you make animation left for history?
    Interchange with other creators
    We clarify through process of coproduction.
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Takabata that challenged the difficult subject called solidarity of people who fought against the devil in "great adventure of solar prince Horus" that became the first long piece direction (supervision) (1968) reclaimed new expression in animation in sequence afterwards. In the 70s, we complete form of rich human being drama unlike adventure fantasy through technique to draw everyday life in TV masterpiece series such as "Alpine girl Heidi" (1974), "Anne of Green Gables" (1979) carefully. When the 80s begins, we move the stage to Japan and express "gravel n child wisdom" (1981), "Ghosh of cello player" (1982), reality of Japanese climate and folklife including "Grave of the Fireflies" (1988) and produce large-scale work reconsidering history in postwar period for Japanese wartime. It became posthumous work and made full use of digital technology in "The Tale of The Princess Kaguya" (2013) and challenged watercolor-like how to depict utilized line of freehand drawing and achieved innovation in expression that marked line with conventional cell style.

We always explored contemporary theme, and trace of innovator, creation of Takabata that pursued new expression method appropriate for it thoroughly built foundation of postwar Japanese animation in this way and had a big influence on other producers. While we pay attention to point called "direction" of Takahata who does not describe painting at this exhibition, and unscreened document of majority introduces, it approaches in secret of the multifaceted work world.


The details and ticket information about event to official site

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